My passion for photography took hold over 50 years ago while on a second-grade field trip to the Bronx Zoo. At that young age, I was fortunate to own a Brownie camera and have easy access to developing film at my father’s drug store. While most aspects of my life at that time were out of my control, I found it powerful and magical to be able to create a record of my life’s special moments.
My interest in small boats began in the summer of 2000 when I was taking a photography class at the Maine Photographic Workshops in Rockport. I attended classes there for three summers focusing my efforts on capturing images of the small boats that dotted the waters in and around Rockport. Wooden boats intrigued me most. I saw in each a distinct and beautiful character revealed through the scars, peeling paint, and worn surfaces.
Sadly, small wooden boats are now difficult to find, in large part because they are expensive to build, buy, and maintain, and their constant exposure to salt water and sun eventually breaks them down.
Once ubiquitous along the northeast coastline, small wooden boats are being replaced by boats made of durable and significantly less-expensive materials, such as aluminum, rubber, plastic, and fiberglass. To help preserve their memory, I sought the dinghies, prams, and tenders that serve as both pleasure boats and workboats ferrying lobstermen and women to and from their larger craft moored offshore.
In the fall of 2009, I was very fortunate when Sheridan House published Afloat on the Tide, a 208-page book of my wooden boat photographs. It serves as a historic record of these special boats. The magic and power of photography endure.
With wooden boats becoming more and more elusive and Afloat on the Tide in print, I became excited about photographing other subjects. I made a transition to shooting the beautiful and eye-catching shells and plant life that I had collected during my years walking along the shoreline.
This change in subject led to a focus away from landscape-type photography to a fascination with macro photography, taking images up close to the subject, at times 1-2 inches from it. I titled this new collection “Glass and Ice Capades.” It includes photographs of objects floating or frozen in liquid or ice.
Now that I have retired from my professional life as an educator and administrator, I have time to devote to sharing my love of wooden boats and my photography. The Clever Hand has given me a steady platform for showing my work, and I enjoy speaking before community groups. I was recently honored to have a solo exhibit, titled “Afloat,” in the Class of 1925 Gallery at my alma mater, the University of Wisconsin-Madison.